In this context, the following guiding question was raised: do individuals with specific sociocultural differences and divergent historicities collaborate in psychological developments in group processes? Therefore, the study carried out in the first semester (March to May) of 2021, took into account the studies of Kurt Lewin through Mailhiot (2013), Moreno through Russo (2010), Schutz (1979 1989) and Pichon -Rivière (2009) from the perspective of the film “12 Angry Men” (LUMET, 1957). The purpose of this work was to analyze Art and the processes of group dynamics. Keywords: Cinema, Dynamics, Groups, Psychology, Society. As a result and conclusions, it was understood that from the intersection of theorizations with the dynamics presented in the film, that, however different these perspectives may be, the analysis of groups starts from the premise that group processes are transformed from the actions of individuals, as well as their economic and cultural positions. From this point of view, it was necessary to recognize the psychological and behavioral processes in the group context and to understand the nature of groups through the psychological processes belonging to the film. As a methodology, the research was supported by the main point of observation and analysis of the film “12 Angry Men” (LUMET, 1957) and the relationship with the theoretical review of scholars to reflect and analyze their influences, based on the principles of the historical, epistemological and technical foundations of theories about groups. The hypothesis was based on the assumption that individuals with antagonistic histories can contribute with their different experiences to the applicability of group dynamics techniques and subject maturation. In this context, the guiding question was raised: do individuals with specific sociocultural differences and divergent historicities collaborate in psychological developments in group processes? Thus, the general objective was based on understanding different group dynamics techniques and their applicability. This article aimed to approach and analyze the film “12 Angry Men” (LUMET, 1957), from the theoretical contributions and differentiated techniques for group dynamics. Revista Científica Multidisciplinar Núcleo do Conhecimento. ABREU, Liliane Alcântara de, MELO, Natalia Sayuri, SOARES, Pamela Cristina, CYPRIANO, Nathalia Gonçalves Domingues, NUNES, Letícia Monteiro, SILVA, Gabriella Braga Dias da, HAERTHEL, Susan Mara, MENDES, Matheus Passos ĪBREU, Liliane Alcântara de.
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